David Jablonowski (1982, Bochum, DL) moved from Germany to Amsterdam in 2007, where he graduated from the Gerrit Rietveld Academy and participated in De Ateliers studio program until 2009. In 2011 he participated in International Studio & Curatorial Program (ISCP), New York. In his work, Jablonowski examines the surface and the evolution of contemporary communication technologies. In the form of sculptures, videos and installations, he focuses on the development of language as a technically reproducible code and aesthetic production with regard to the communication of knowledge and information. His artistic interest is on the sculptural quality of communication techniques as well as the specific aesthetics of different historical media formats, which make a long- term impact on perception and cultural self-conception.

Recent solo exhibitions include Trade Alert, Markus Lüttgen, Cologne; Hype Cycle, Galerie Fons Welters; Prosumer, Gemeentemuseum The Hague; Tools and Orientations, BALTIC, Gateshead, UK; Blue Greens, Westfalischer Kunstverein Munster; user, Galerie Fons Welters, Amsterdam; Many to Many (Stone Carving High Performance), Dallas Contemporary, USA; 1.33:1, Hard Copy Display Sequences, Multi Channel Projection, Bloombergspace London; Material Kontingenz, Stedelijk Museum Bureau Amsterdam, Amsterdam and Perfection Simple Way, Gallery Lüttgenmeijer. Furthermore Jablonowski’s work has been exhibited in group shows in Museum Haus Lange / Haus Esters, Krefeld; Galerie im Taxispalais, Innsbruch; Stedelijk Museum Schiedam; De Vleeshal, Middelburg (NL); ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe; Monumentalism, Stedelijk Museum, Amsterdam; The Dutch Identity?, De Paviljoens, Almere; After Architects, Kunsthalle Basel, Basel. Jablonowski’s solo exhibition at Kunsthalle Lingen opens October 2015.