Nicolas Provost’s work reflects on the grammar of cinema, the human condition in our collective film memory and the relation between visual art and the cinematic experience. His films provoke both recognition and alienation and succeed in catching our expectations into an unravelling game of mystery and abstraction. With manipulations of time, codes and form, cinematographic and narrative language are sculpted into new stories.

In 2003 Nicolas Provost (born in Ronse, Belgium) moved back to Belgium after a 10 years stay in Norway. He now lives and works in New York. Solo exhibitions include The Seattle Art Museum, Musée d’art moderne et contemporain, Strasbourg, France, Muziekgebouw Amsterdam, Tim Van Laere Gallery, Antwerp and Haunch of Venison London and Berlin. His work has been acquired by major museums including the Birmingham Museum, SMAK Gent and the Royal Museum of Fine Arts Belgium. His work has earned a long list of awards and screenings at prestigious festivals including The Sundance Film Festival, The Venice Film Festival, The Berlinale, The San Sebastian Film Festival and The Locarno Film Festival. His critically acclaimed first feature film ‘The Invader’ had its world premiere in competition at the Venice Film Festival 2011. He recently completed the ‘Plot Point’ trilogy, 3 fiction films he shot with a hidden camera in New York, Las Vegas and Tokyo.